Who Was Leonardo Da Vinci

Author: Roberta Edwards
Publisher: Penguin
ISBN: 9781101639900
Size: 14.86 MB
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Leonardo da Vinci was a gifted painter, talented musician, and dedicated scientist and inventor, designing flying machines, submarines, and even helicopters. Yet he had a hard time finishing things, a problem anyone can relate to. Only thirteen paintings are known to be his; as for the illustrated encyclopedia he intended to create, all that he left were thousands of disorganized notebook pages. Here is an accessible portrait of a fascinating man who lived at a fascinating time—Italy during the Renaissance.

Leonardo Da Vinci

Author: Charles Nicholl
Publisher: Penguin UK
ISBN: 9780141944241
Size: 11.35 MB
Format: PDF, Mobi
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Leonardo is the greatest, most multi-faceted and most mysterious of all Renaissance artists, but extraordinarily, considering his enormous reputation, this is the first full-length biography in English for several decades. Prize-winning author Charles Nicholl has immersed himself for five years in all the manuscripts, paintings and artefacts to produce an 'intimate portrait' of Leonardo. He uses these contemporary materials - his notebooks and sketchbooks, eye witnesses and early biographies, etc - as a way into the mental tone and physical texture of his life and has made myriad small discoveries about him and his work and his circle of associates. Among much else, the book identifies what Nicholl argues is an unknown portrait of the artist hanging in a church near Lodi in northern Italy. It also contains new material on his eccentric assistant Tomasso Masini, on his homosexual affairs in Florence, and on his curious relationship with a female model and/or prostitute from Cremona. A masterpiece of modern biography.

Leonardo Da Vinci

Author: Sigmund Freud
Publisher: CreateSpace
ISBN: 1514328453
Size: 19.99 MB
Format: PDF, Kindle
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Freud's theory of psychosexual development proposes that, following on from the initial polymorphous perversity of infantile sexuality, the sexual "drives" pass through the distinct developmental phases of the oral, the anal and the phallic. Though these phases then give way to a latency stage of reduced sexual interest and activity (from around the age of approximately five up until puberty), they leave, to a greater or lesser extent, a "perverse" and bisexual residue which persists during the formation of adult genital sexuality. Freud argued that neurosis or perversion could be explained in terms of fixation or regression to these phases whereas adult character and cultural creativity could achieve a sublimation of their perverse residue. After Freud's later development of the theory of the Oedipus Complex this normative developmental trajectory becomes formulated in terms of the child's renunciation of incestuous desires under the phantasised threat of (or phantasised fact of, in the case of the girl) castration. The "dissolution" of the Oedipus Complex is then achieved when the child's rivalrous identification with the parental figure is transformed into the pacifying identifications of the Ego ideal which assume both similarity and difference and acknowledge the separateness and autonomy of the other. Freud hoped to prove that his model was universally valid and turned to ancient mythology and contemporary ethnography for comparative material arguing that totemism reflected a ritualized enactment of a tribal Oedipal conflict.

Leonardo Da Vinci

Author: Eugène Müntz
Publisher: Parkstone International
ISBN: 9781781603864
Size: 20.53 MB
Format: PDF, ePub, Docs
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Leonardo’s early life was spent in Florence, his maturity in Milan, and the last three years of his life in France. Leonardo’s teacher was Verrocchio. First he was a goldsmith, then a painter and sculptor: as a painter, representative of the very scientific school of draughtsmanship; more famous as a sculptor, being the creator of the Colleoni statue at Venice, Leonardo was a man of striking physical attractiveness, great charm of manner and conversation, and mental accomplishment. He was well grounded in the sciences and mathematics of the day, as well as a gifted musician. His skill in draughtsmanship was extraordinary; shown by his numerous drawings as well as by his comparatively few paintings. His skill of hand is at the service of most minute observation and analytical research into the character and structure of form. Leonardo is the first in date of the great men who had the desire to create in a picture a kind of mystic unity brought about by the fusion of matter and spirit. Now that the Primitives had concluded their experiments, ceaselessly pursued during two centuries, by the conquest of the methods of painting, he was able to pronounce the words which served as a password to all later artists worthy of the name: painting is a spiritual thing, cosa mentale. He completed Florentine draughtsmanship in applying to modelling by light and shade, a sharp subtlety which his predecessors had used only to give greater precision to their contours. This marvellous draughtsmanship, this modelling and chiaroscuro he used not solely to paint the exterior appearance of the body but, as no one before him had done, to cast over it a reflection of the mystery of the inner life. In the Mona Lisa and his other masterpieces he even used landscape not merely as a more or less picturesque decoration, but as a sort of echo of that interior life and an element of a perfect harmony. Relying on the still quite novel laws of perspective this doctor of scholastic wisdom, who was at the same time an initiator of modern thought, substituted for the discursive manner of the Primitives the principle of concentration which is the basis of classical art. The picture is no longer presented to us as an almost fortuitous aggregate of details and episodes. It is an organism in which all the elements, lines and colours, shadows and lights, compose a subtle tracery converging on a spiritual, a sensuous centre. It was not with the external significance of objects, but with their inward and spiritual significance, that Leonardo was occupied.

Leonardo Da Vinci

Author: Barbara O'Connor
Publisher: Twenty-First Century Books
ISBN: 0876144679
Size: 17.72 MB
Format: PDF, Docs
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A biography of the notable Italian Renaissance artist, scientist, and inventor.

Leonardo Da Vinci

Author: Shana Priwer
Publisher: David & Charles
ISBN: 9781446301678
Size: 11.17 MB
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This volume reveals Da Vinci's phenomenal accomplishments, including mathematical discoveries, investigating the secrets of the human body, inventing a robot and even his plan to divert the entire Arno River.

Leonardo Da Vinci

Author: Francesca Romei
Publisher: The Oliver Press, Inc.
ISBN: 1934545007
Size: 14.37 MB
Format: PDF, ePub, Mobi
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Examines the life, career, and art of Leonardo da Vinci. Presents accomplishments in the fields of painting, sculpture, mathematics, engineering, and achitecture.