Warrior

Author: Kristina Douglas
Publisher: Simon and Schuster
ISBN: 9781451655940
Size: 14.16 MB
Format: PDF, ePub, Mobi
View: 22

A born warrior, archangel Michael is dedicated to the Fallen’s survival. But only one woman understands the seductive hunger that he cannot forsake. There comes a time in every angel’s life . . . Every little girl imagines, now and then, that she’s a princess held captive in a tower. But Victoria Bellona is almost twenty-five. And that whole fairy-tale scenario? That’s her real life. The drop-dead gorgeous man who rescues her is no Prince Charming. He’s the gruff archangel Michael, and he insists that Tory is the Fallen’s only hope for ending Uriel’s vicious rule. She insists he’s crazy. . . . to show his brethren what he’s made of. According to the prophecy, Michael must marry this frustrating, fascinating creature, bed her, and drink her blood. But their fate is a double-edged sword. If they give in to their urgently growing desires, Tory will die in battle. If they refuse, she will die anyway, and with her, all of mankind. Michael is determined to find another solution when a traitorous kidnapper forces him into a deadly confrontation. Even if he can save Tory from Uriel’s ruthless clutches, will they ever really be together? Or is her fatal destiny—and the world’s—written in stone?

Fallen Warrior

Author: Clover Autrey
Publisher: Clover Autrey
ISBN:
Size: 17.36 MB
Format: PDF, ePub, Mobi
View: 73

Short Story Introduction to the Eaglekins As a fealinn, Eilwen has a natural affinty to nature, but when one of the tempermental eagles of Gaspar leads her to a hole the eagle's True-bonded Eaglekin has fallen into, Eilwen puts old animosity aside to try and save him.

Fallen Warrior

Author: Michael M. Sharpe
Publisher:
ISBN: 0986362247
Size: 17.18 MB
Format: PDF, ePub, Docs
View: 19

One man's true story about his triumphs and failures and the unforeseen realities of deceit, dirty politics and lead spineless leadership involving the charter school movement.

The Fallen

Author: Sean M. Bazaar
Publisher: iUniverse
ISBN: 9781475958997
Size: 11.43 MB
Format: PDF, Mobi
View: 67

Armageddon has come. Angels and demons have erupted onto Earth's surface, battling for domination. Alisha Grace witnesses this battle, and she, like so many others, expects the angels to win. It soon becomes apparent, however, that the demon forces have powers beyond belief as Gabriel's angelic forces lose Armageddon. Rai is a fallen angel, leading the fight with his demon allies. Commander Krillion and Captain Zara are leaders in the Seraphim force, and although their armies have lost to Lucifer's demonic legions, they will not give up. But there is much more to this endgame battle than meets the eye. Even demons have history, and Rai will soon discover on which side he truly belongs. In the meantime, Israfil, the angel of judgement day, receives a new vision. As hell covers the Earth in its dark genesis, Israfil senses the building of a new team that will fight the evil ones. A demon, a girl from Earth, warriors of the Seraphim and a being brought forth from Purgatory will fight on the same side and only time will tell if they will be victorious, or if hope will be lost and darkness will rule the world for all eternity.

Chronicles Of The Fallen

Author: A. S. Chambers
Publisher: Xlibris Corporation
ISBN: 9781503590670
Size: 12.16 MB
Format: PDF, ePub
View: 56

It was funny I started this book as therapy through counseling, but I found the more I wrote, the more people became interested. My wife began this journey for me into writing by just throwing it in front of people to just get their opinion on what seems long ago a simple short story, but to my surprise, they wanted more and more, and I was asked by many people when I was going to publish; well, here it is. Please enjoy. I look forward to creating my next one.

Between Victory And Defeat

Author: Nathan Todd Arrington
Publisher:
ISBN: OCLC:810065002
Size: 17.68 MB
Format: PDF
View: 86

This dissertation examines the visual reception of military casualties in fifth-century Athens: the place of the war dead in the city's physical, artistic, and cognitive landscapes; the construction of a public visual rhetoric of struggle and sacrifice; and the refraction of this ideal in private art. To put it simply: Where were the fallen, how were they presented, and how were they viewed? To answer these questions, I examine the public cemetery ("demosion sema"), the monuments therein, the images of death and defeat on the Akropolis, and the relationship of this imagery to that found on private symposium vessels. I use the concept of "framing" to analyze and explicate the material culture surrounding the war dead in ancient Athens. By "frames" I refer to the physical settings of both objects (including ashes or bodies) and of images related to the fallen, together with other aspects of material culture that inhabit those settings and surround the objects and images under study. At the same time, I am interested in how these physical frames create referential frames: the mental structures that we use to understand the activity around us. Physical frame, referential frame, form, and content work together to produce meaning. In different places at different times, the fallen warrior could be viewed as belonging to a victory, to a defeat, or to the conceptual space between the two: the moments of intense struggle and effort when individuals strove to secure victory and avoid defeat. Following an introductory chapter, the second chapter presents the first comprehensive archaeological study of the "demosion sema," the public cemetery. Compiling and analyzing the findings from over three hundred urban rescue excavations, I demonstrate that the cemetery was established ca. 500 BC along the so-called Academy Road, and spread a short distance eastward. I trace the use of this space through time and show that the cemetery was not a delimited, organized, or controlled area. The war dead were removed from the center of the city into a setting with few visitors and interspersed among private graves, shrines, and workshops. By integrating the war dead into the landscape, the polis mitigated their potentially disruptive presence. I juxtapose the spatial arrangement at Athens with the layout of the Yasukuni shrine for Japanese war dead and suggest a model for understanding the organization of the "demosion sema." The third chapter addresses the artwork within the "demosion sema." The cemetery was not a place of lavish display in the early fifth century, and often the state burials dissociated themselves from the aristocratic monuments of the past. Moreover, they did not provide models for late fifth-century private funerary sculpture. The casualty lists, the defining visual aspect of the state burials, were potential monuments to defeat. The format and appearance of the lists, together with their epigrams and crowning figural reliefs, show how the Athenians mourned their losses while simultaneously creating defiant monuments of power and collective resilience. They historicized more than heroized the war dead, locating them in an extended narrative that blurred distinctions between victory and defeat. The casualty lists, particularly their friezes, did not passively honor the dead but created a viewer-oriented rhetoric focused on "agon." The fourth chapter turns to intra-mural sacred space. The Akropolis was not a stage for victory dedications alone but a place in which the Athenians repeatedly confronted the fallen warrior. Victory monuments and references to the fallen shared a concern to articulate, explain, and strengthen the relationship between mortals and immortals. Elaborating on C. Marconi's work on "kosmos" and T. Hölscher's study of "decor," and drawing on A. Gell's analysis of agency in art, I show that the representations of the fallen belonged to an imagery that actively invoked the gods through pleasing and appropriate depictions and that simultaneously confronted viewers and compelled them to contemplate the dead. They internalized death and the civic ideology of sacrifice for the city. Chapter five discusses the framing of the fallen on symposium vessels through a close study of the mythical Kaineus. This defeated Lapith could be framed to display heroic resistance, a victory in the face of death. However, a complete study of the images that accompany Kaineus on black-figure and red-figure pottery shows that in the fifth century artists sometimes framed Kaineus' defeat with scenes designed to elicit connotations to his earlier female gender. In the setting of the symposium, pervaded by sporting and play, the defeated Greek was not sacred. No sooner were martial ideals presented than they were subverted. The potential for Kaineus to be comic, either because of his posture or because of the surprise elicited through the framing devices, facilitated the viewer's gaze on death and defeat. This dissertation reaches the following five conclusions: 1) at Athens the war dead often were forgotten; 2) public intra-mural spaces could be used to portray the leadership and sacrifice of prominent individuals; 3) expanding the referential frame minimized the impact of defeat; 4) death on public monuments was not presented in the guise of victory, but embedded in a narrative of "agon"; and 5) images of the fallen on the Akropolis and in the symposium worked upon the viewer to internalize and accept death.

The Temple Of Apollo Bassitas The Sculpture

Author: Frederick A. Cooper
Publisher: ASCSA
ISBN: 0876619472
Size: 16.75 MB
Format: PDF, ePub
View: 80

The definitive publication of the Temple of Apollo at Bassai, in the NW Peloponnese, this is one of four volumes representing the culmination of years of study by Professor Fred Cooper of the University of Minnesota and other scholars throughout the world. An identifiable work of Iktinos, the architect of the Parthenon, the building exhibits numerous unusual and uncanonical features that heralded a revolution in Greek architectural design. Volume II contains Brian Madigan's study of the sculptural program and Cooper's analysis of the relevant parts of the entablature.